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Roman altars reveal their true colours 1

photo showing a series of Roman tombstones with projected colours on them showing their appearance

The Roman Britain colour display.

Seven Roman altars at the Great North Museum: Hancock now feature animations projected directly onto the stone surface

Historians often tell us to try and visualize the past as a colourful place – whether it be the bright colours of medieval clothing and statuary or the vibrant blues and golds found in the tombs of Antiquity.

Accordingly Roman Britain was also a place of vibrant hues – even at its most northern reaches. Apart from the deep red robes of the Roman legions, Pliny the Elder cited the orange, red and purple worn by priests and priestesses, while common dyes used in the Roman world included madder, kermes, weld, woad, saffron and lichen purple.

But these colours weren’t just confined to robes and other clothing, the statues and buildings also offered a surprising palette – as can be glimpsed in a new project at the Hancock in Newcastle, which is revealing the colours encountered along Rome’s Northern frontier at Hadrian’s Wall.

The Museum has a vast collection of altars recovered from Hadrian’s Wall – many of them with dedications to the deceased and inscriptions to the Roman Gods – and seven of the latter now feature animations projected directly onto the stone surface to offer a sense of how brightly coloured the altars appeared 1900 years ago.

photo of Roman altars overlaid with coloured projections

Altars to Fortuna, Minerva and Antenociticus.

coloured photo of a tombstone with coloured

Altar to Minerva.

photo of Roman altars overlaid with coloured projections

Altars to Neptune, Oceanus, Jupiter x2, Fortuna, Minerva and Antenociticus.

The project, called Roman Britain in Colour, is a collaboration between the Museum and Hadrian’s Wall Community Archaeology Project (WallCAP), working alongside creative studio NOVAK.

“We’re used to the look of sandstone altars and reliefs in museums but we forget that they were originally painted in bright colours,” says Andrew Parkin, the Museum’s Keeper of Archaeology. “The paint has been lost over the centuries but researchers have found trace amounts of pigment using ultraviolet light and x-rays.

“These new projected animations really make the altars stand out and add greatly to the Hadrian’s Wall gallery in the museum. The team at NOVAK have done a fantastic job in creating the artwork and mapping the projections precisely onto the stones.”

The animations also offer some artistic interpretations of the altars and the gods associated with them. For instance, the altar to Neptune, Roman god of freshwaters and rivers, was found in the River Tyne. It depicts a blue underwater scene filled with fish.

The altar to Oceanus, god of the sea, is animated with seaweed, starfish and a crab, whereas the altar to Fortuna drips with bright crimson, perhaps suggesting a ritual using wine or the blood of a sacrificed animal.

photo of Roman altars overlaid with coloured projections

Courtesy Tyne and Wear Museums.

Other altars with new animations are dedicated to Jupiter, supreme deity of the Roman pantheon, Minerva, goddess of wisdom and strategic warfare, and Antenociticus, a native British god only found at Condercum Roman Fort – present-day Benwell in the west end of Newcastle.

“Roman altars are a great source for understanding the culture of the Roman Empire, but they can seem boring and uninteresting for people that do not know how to ‘read’ them,” adds Dr Rob Collins, Senior Lecturer in Archaeology and WallCAP Project Manager at Newcastle University.

“Working with NOVAK and the Great North Museum: Hancock, the altars come alive and invite you to look more closely at the artistry and information that they hold.”

Anyone interested in volunteering for the WallCAP project can register at wallcap.ncl.ac.uk. Volunteers receive regular updates to alert them of forthcoming opportunities and events to investigate and protect the Wall.

The Roman Britain in Colour display can be found in the Hadrian’s Wall gallery at the Great North Museum: Hancock.

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Great North Museum: Hancock

Newcastle upon Tyne, Tyne and Wear

The Great North Museum incorporates collections from the Hancock Museum and Newcastle University’s Museum of Antiquities, the Shefton Museum and the Hatton Gallery. Highlights of the £26million museum include a large-scale, interactive model of Hadrian's Wall, major new displays showing the wonder and diversity of the animal kingdom, spectacular objects…

One comment on “Roman altars reveal their true colours

  1. Jonathan Loach on

    The altar to Antenociticus (also known as Anociticus, far right on the photos) tells a nice story in the inscription.

    “To the god Anociticus Tineius Longus (set this up) having, while prefect of cavalry, been adorned with the (senatorial) broad stripe and designated quaestor by the decrees of our best and greatest Emperors, under Ulpius Marcellus, consular governor.”

    In other words, Tineius Longus thanks Antenociticus for gaining a promotion!

    Reply

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