欣賞表演 - 舞蹈 | 開放博物館

展覽頁面呈現形式

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沈冬

展覽封面

ecfb25a6be445887ca9658348c6830d9

展覽資料

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Baku，1886-1962）原名石井忠純，日本秋田縣人，被譽為「日本現代舞之父」，年輕時立志成為作曲家， 1909 年移居東京，決定投身舞蹈，開始學習古典芭蕾，1915年與留德音樂家山田耕筰（Yamada Kosaku）提倡「舞蹈詩」。1921年赴歐洲遊歷，學習現代舞，吸取當代許多重要舞蹈家的理念。回日本以後，1928年在東京目黑區自由之丘開設了舞蹈研究所，即是日後的「石井漠舞蹈體育專科學校」，一生致力於追求自由精神的創作，培育眾多舞蹈人才。 　　石井漠曾經多次來臺，兩次在公會堂演出。據《臺灣日日新報》1940年的報導，當時他帶領舞團巡迴東亞地區，為日本軍隊進行勞軍表演，舞團成員裡就包含後來臺灣的著名舞蹈家林明德；1947年，他的學生蔡瑞月從日本返臺，也在中山堂舉辦了首度舞作發表會。 \n \n \n", "displayMode": "fixed-width-loop-off" }, "basic-aet6epwjof": { "id": "basic-aet6epwjof", "type": "basic", "sortable": true, "primaryObj": { "level": "primary", "oid": "beab29a2dcc14079bc07be0f64942eae", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=7IYGq2Hq", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=rokvBdcN", "thumbBigURI": 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　　蔡瑞月（1921-2005），臺南人，1937年赴日學習現代舞，先後追隨石井漠及其高徒石井綠學舞，並參加石井漠舞團到日本各地、廣東、南洋星、馬、越等地巡迴演出，1946年返臺，1947年1月於中山堂舉行公演，由臺灣省行政長官公署交響樂團（今國立臺灣交響樂團）現場伴奏，規模盛大，甚獲好評。1949年不幸遭受白色恐怖，夫妻分離，蔡瑞月受株連入獄，1952年出獄後繼續鑽研舞蹈，成立「蔡瑞月舞蹈藝術研究社」（即日後的「中華舞蹈藝術研究社」），為臺灣培育無數優秀舞蹈工作者。\n 蔡瑞月的舞蹈作品相當豐富，有受到老師石井漠影響的現代舞，也有芭蕾小品，有臺灣原住民舞劇，也有中國民族舞蹈。蔡瑞月儘管一生艱辛，但她對舞蹈的熱情始終不減，最終成為臺灣舞蹈史上一位影響深遠的大家，被譽為「臺灣現代舞之母」。 　　蔡瑞月舞蹈研究社位於臺北市中山北路靜巷之內，原本是日治時期的文官宿舍，建於1920年，已被指定為臺北市的巿定古蹟，不但是臺北市一處景點，更是臺灣舞蹈史上一個重要的基地。 　　1955年1月，蔡瑞月在中山堂舉行兩天舞蹈欣賞會」，發表舞作《月》，以貝多芬《月光曲》為伴奏，蔡瑞月與男學生林錫憲共舞，被評為最精采的節目，多篇評論稱譽備至。", "musicName": "無", "weight": 4, "musicText": "", "musicURL": "" }, "basic-4k9ppchn1t": { "id": "basic-4k9ppchn1t", "type": "basic", "sortable": true, "primaryObj": { "oid": "adf0f4c6e2a20357f479d16b77d4f5e0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=mToU-hLB", "level": "primary", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": 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　　1954年1月，蔡瑞月在《聯合報》上發表文章〈談舞蹈藝術〉，她說：「舞蹈藝術……是以肉體的韻律來創造藝術境域的舞蹈。務必要使肉體運動出的每一個韻律節奏都洋溢著生命意識。」對於遭逢巨變跌落人生低谷的蔡瑞月而言，舞蹈，就是一種生命意識的傾訴。 　　在《月》這首作品裡，蔡瑞月眼波流轉，肢體呈現了美好的弧度，微笑裡帶著純真與熱情，誰也看不出她經歷了與丈夫生離的痛苦，和白色恐怖的牢獄之災。 ", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "basic-ttw1t7dbnv": { "id": "basic-ttw1t7dbnv", "type": "basic", "sortable": true, "primaryObj": { "oid": "18b2ae38866a3148c9267cdcccc604b3", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/69052da7c69739cfb2913087cb60893a.jpg?itok=1gsvhN2I", "level": "primary", "title": "蔡瑞月向中山堂租借場地信", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/69052da7c69739cfb2913087cb60893a.jpg?itok=Ai9cAONT", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/69052da7c69739cfb2913087cb60893a.jpg?itok=_luZUu_Y", "thumbBigURI": 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"desc": "<div>策展撰文：沈冬 日文譯者：蔡嵐婷 日文校對：村中恒仁</div>英文譯者：喬淇奧(George)、廖容慈、林妤庭、張雅婷 英文校對：喬淇奧(George)、廖容慈 <div>《臺灣日日新報》展品皆翻攝自中央研究院人文社會聯圖。</div><div>《中央日報》新聞類展品由網赫公司授權，廣告類展品翻攝自中央研究院中央研究院人文社會聯圖。</div><div></div><div></div>", "weight": 30 } }

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