- Cyber Aesthetics, Precarity, Ecology, Art, Ecology And Community Participation, Ecofeminism, Ecocriticism and Ecofeminism, and 12 moreContemporary Art, Film-Philosophy, Philosophy, Philosophy of Mind, Karen Barad, Donna Haraway, Planetary Science, Earth and Planetary Sciences, Bioluminescence, BIOLUMINISCENCE, Commons, and Urban Commonsedit
- www.susannewinterling.com www.planetarysensing.com www.thekalpana.net www.pandorasbox.susannewinterling.com https://i... morewww.susannewinterling.com
www.planetarysensing.com
www.thekalpana.net
www.pandorasbox.susannewinterling.com
https://isitpoeticandtactile.tumblr.com/
www.shelterthelighthouse.tumblr.comedit
Gayatri Chakravorty Spivak spoke with Susanne M. Winterling on the occasion of http://berlinergazette.de/deutsch/tacit-futures/. A conference on the commons in Berlin and has been in conversation on stories of aesthetic solidarity over... more
Gayatri Chakravorty Spivak spoke with Susanne M. Winterling on the occasion of http://berlinergazette.de/deutsch/tacit-futures/. A conference on the commons in Berlin and has been in conversation on stories of aesthetic solidarity over the past 3 years for an upcoming publication with archive books see also http://www.nytimes.com/2016/07/13/opinion/when-law-is-not-justice.html?_r=1
A luminent image essay for biodiversity as a weapon of solidarity against dualisms: “Recycling” D. Haraway and K. Barad for being with the jellyfish. based on the practice of smw. notes in the context of 'the pleasure and politics of... more
A luminent image essay for biodiversity as a weapon of solidarity against dualisms: “Recycling” D. Haraway and K. Barad for being with the jellyfish.
based on the practice of smw.
notes in the context of 'the pleasure and politics of looking: film, gender ans aesthetics', conference, 2015.
based on the practice of smw.
notes in the context of 'the pleasure and politics of looking: film, gender ans aesthetics', conference, 2015.
Research Interests:
Published as part of the eponymous research project conducted by ECAL, directed by François Bovier & Adeena Mey, and funded by HES-SO / University of Applied Sciences Western Switzerland.
Research Interests:
notes on Lutz Bacher's Untitled, 1975.