MUSÉE 29 – EVOLUTION

Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.

Review: Jake Chapman | Spare Prick at a Royal Wedding

Review: Jake Chapman | Spare Prick at a Royal Wedding

© Jake Chapman

Written by Wenjie (Demi) Zhao

Copy Edited by Kee’nan Haggen

Photo Edited by Athena Abdien

Jake Chapman, a contemporary artist renowned for his iconoclastic sculptures, prints, films, writings, and installations, has unleashed his latest creative endeavor—a macabre and sarcastic book cover art series called “Spare Prick at a Royal Wedding.” This irreverent collection reimagines the front cover of Prince Harry's headline-hitting autobiography “Spare,” published on January 10th, 2023. With his signature biting humor and provocative flair, Chapman offers a tongue-in-cheek take on the royal drama that has unfolded in recent years. Parodying the book’s contents has 27 (and counting!) imaginative designs featuring googly eyes, rainbow glitter, bold painted details, and skillful drawings. Chapman's creations have garnered immense interest and quickly sold out on his website.

© Jake Chapman

Born in Cheltenham in 1966, Jake Chapman is a contemporary artist who creates iconoclastic sculptures, prints, and films (including “Sacrificial Mutilation in Modern Art,” ”Good Art for Bad People,” “The Organ Grinder's Monkey,” “The Marriage of Reason and Squalor,” and “Accelerate or Die!”), writings, and installations that incisively examine contemporary politics, religion, and morality. With his apocalyptic snapshots and subversive wit, Chapman explores human behavior, the exotic fetish, cheap fast-food giveaways, imperialism, globalization, and erotomanic sculpture.

The cover art for “Spare Prick at a Royal Wedding” masterfully combines scandal, wit, and irony, showcasing Chapman's artistic prowess and keen satirical edge. Prince Harry’s embellished caricature, adorned in macabre drawings and sporting a wry grin, exudes self-awareness, starkly contrasting his autobiography's somber and reflective tone. The choice of color palette, composition, and a bold mixture of materials and textures further emphasize the satiric nod of Chapman’s cover art while poking fun at the gilded extravagance of royal life.

© Jake Chapman

Chapman’s visual satire cleverly highlights the contrast between the absurdity of Prince Harry’s past scandals and the candid vulnerability exposed in Prince Harry's writing. As a timely commentary on the struggle for identity, “Spare Prick at a Royal Wedding” critiques Prince Harry’s attempts to distance himself from his royal heritage while still capitalizing on the prestige and attention it brings. The title is a playful twist on Harry’s book title, serving as a metaphor for his difficult position within the royal family. By referring to the prince as a “spare prick,” Chapman underscores the idea that Harry is both superfluous and a source of controversy. The artwork further explores the dichotomy between Prince Harry’s public image and his private actions, with subtle inclusions of scandalous details that force the viewer to question the authenticity of his carefully curated public persona.

© Jake Chapman

Ultimately, Jake Chapman's “Spare Prick at a Royal Wedding” is a must-see work of art for anyone interested in the intersection of contemporary culture and royal scandal. Chapman effectively draws attention to the ongoing debate surrounding Prince Harry’s actions and place within the royal family through humor and incisive commentary. This striking visual reminder highlights that even the most privileged among us are not immune to controversy, and the truth often lies beneath the surface of carefully constructed public images.

For more information, visit Jake Chapman’s website.

Exhibition Review: Todd Gray

Exhibition Review: Todd Gray

Exhibition Review: Mostly Nude

Exhibition Review: Mostly Nude