Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In Rudy’s Ramp of Remainders 2012/2022, Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering. Take a closer look at the exhibition in this virtual tour led by Alessandra Dominguez (VAC Curatorial Intern, 2021-2022).