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BBVA Collection Spain
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https://www.coleccionbbva.com/es/autor/feito-luis/
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autor
14432
Luis Feito
(Madrid, 1929 - 2021)
Author's artworks
20th - 21st Century Spanish
The coherent and well-defined practice of this founding member of the
El Paso Group
founded in 1957 and formed by artists Antonio Saura, Manuel Millares, Rafael Canogar, Manuel Rivera, Antonio Suárez, Pablo Serrano and the critics José Ayllón y Manuel Conde. This group was instrumental in promoting avant-garde art in post-war Spain. Its style and manifesto dovetailed with the European movement known as Art Informel and Informalismo, its variant in Spain. Notwithstanding the strong individuality of each one of its members, the artworks produced by the collective shared a marked visual consistency, expressed in the abstraction of the figure, experimentation with new materials removed from convention uses, individual expressiveness and the triumph of gesture and matter.
started with a brief figurative period that ended around 1953 when he embraced abstraction, after a brief experience with
Cubism
A term coined by the French critic Louis Vauxcelles (1870-1943) to designate the art movement that appeared in France in 1907 thanks to Pablo Picasso (1881-1973) and Georges Braque (1882-1963), which brought about a definitive break with traditional painting. Widely viewed as the first avant-garde movement of the twentieth century, its main characteristic is the representation of nature through the use of two-dimensional geometric forms that fragment the composition, completely ignoring perspective. This visual and conceptual innovation meant a huge revolution and played a key role in the development of twentieth-century art.
. He had his first solo show in 1954 at Galería Buchholz in Madrid. Since then, he has exhibited his work regularly in shows in many cities, including Rome, Tokyo, New York, Helsinki and Paris, among others.
In 1956 he moved to Paris to study the happening movements of the time. There, he was influenced by automatism and matter painting and began to work with oil paste and sand in black, ochre and white tones.
In the 1960s he introduced red as a counterpoint to the formal and material simplification, generally applied in circular motifs. From the 1970s onwards he shifted from a bold use of colour to a more muted phase with white paintings and others with geometric bands of previously rejected elements.
Throughout his career, Feito has received many distinctions, including his appointment in 1985 as Officier des Arts et des Lettres of France, the Fine Arts Gold Medal, his appointment in 1998 as a member of the San Fernando Royal Academy of Fine Arts and the 2000 Prize from the Spanish Association of Art Critics.