Free activity with prior booking at info@escenaribrossa.cat
The work scenic By Joan Brossa, with its friendly and accomplice surface with the viewer, he always conceals a magma of ideological forces, theses of thought and underground symbolisms. This forces the performers to do one tour de force to be able to channel the poetic enigma of its personages.
How to solve this puzzle in Brossa, with his wisdom, hi there ha gifted — bagging all the pieces in the brief, poetic replicas of his plays — is the reason for this round table. This will close the cycle of Lectures Brossianes 2019.
CYCLE OF DRAMATIZED READINGS OF THE WORK OF JOAN BROSSA
Activity in collaboration with the Joan Brossa i Eòlia Foundation, Superior of Dramatic Art.
TUESDAY 29 FROM JANUARY TO THE 18: 30h
INAUGURATION OF THE CYCLEPresentation of the three new volumes of theatrical work edited by Arola Editors: 'Scene poetry XVI: In search of the same ', 'XVII scenic poetry: the 50 upside down ' i 'Poetry scenic XVIII: The reality and its substitutions'.
The event will be presented by Gloria Bordons, vice president of studies at the Joan Brossa Foundation, and will be attending the "Alfred Arola, director ofArola Editors, the Núria León, Héctor Mellinas i Albert Mestres, prologists of the new volumes. The edition of the complete scenic poetry of Joan Brossa aims to make available to the reader the entire theatrical work of the poet in small volumes that facilitate reading and representation. Therefore, the intention is to revive the poetry of the poet from the same conception that he had: "I understand theater as an activity retreated within poetic regions."
During the presentation, the dramatized reading of 'La Arena and the Academy', a piece that appears in the volume' Scene poetry XVI: In search of oneself 'and starts the series of dramatized readings from texts in Botswana that will take place at the'Joan Brossa stage within the framework of theAny Brossa.
DRAMATIZED READING: 'LA SORRA I ACADÈMIA'
A fun reflection and acid proposal that raises the messianic dimension of the creative intellectual, a prophet who can only be "an interpreter to the
[his] contemporaries ”. What view did Brossa have of intellectuals? How funny is the poet's view of the cultural reality of Barcelona? 'The Sand and the Academy' opens the answers.
Director Oriol Bertran
Performers Mariona Esplugues, Pol Forment, Albert Miró and Sara Rodríguez.
DRAMATIZED READING:
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TUESDAY, 26, MARCH AT THE 19h
Joan Brossa uses the metaphor of a game as a metaphor of the game. "It was not wrong that play" "we have to play" means that the characters say, since this is life. The men oppose, make plays, they risk, traps that can be a war, isolation or a scam, like the one that gives argumentary unit to this magnificent text: 'La.
Director Laura Rossich
Performers Miriam Bartés, Adriana Galicia, Pol Rosell and Néstor Circolone.
DRAMATIZED READING:
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TUESDAY MAY 28 IN THE 19h
Who better than a watchmaker to know the fleeting existence. "Every day is a minute." We are going in this way, towards the portrait of the unfortunate figure, that Brossa builds emulsifying components that emanate from the popular imagination and that have long been elaborated by the literary tradition. Thus we see that "life is a circus, not a novel", since in life there are usually no well-resolved arguments. Only the 6 clowns They are the only ones who appreciate the work of the Sabater craftsman, because they know that "the shoes are a beautiful pedestal."
Director Oriol Bertran
Performers Júlia Morella, Clara Peteiro, Pol Forment and Albert Miró
CLOSING TABLE
The cycle will close with a round table on the performers in front of Joan Brossa. It will be moderated by Ferran madico and will have the participation ofÀngels Bassas, Abel Folk, Laura Aubert i Muntsa Alcañiz.
DRAMATIZED READING: Free activity with prior booking at info@escenaribrossa.cat
