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Artists > Bettina Allamoda > Overview

Bettina Allamoda

American | 1964

Bettina Allamoda is an American Postwar & Contemporary artist who was born in 1964. Numerous key galleries and museums such as Vincenz Sala, Berlin have featured Bettina Allamoda's work in the past.Bettina Allamoda has been featured in articles for Frieze Magazine and ARTFORUM. The most recent article is Bettina Allamoda written for Frieze Magazine in September 2010.

Inside-OP, (after Bridget Riley) - Bettina Allamoda

Inside-OP, (after Bridget Riley), 2000

Colored pencil on digital print

53.937 x 79.33 inches (137 x 201.5 cm)

MAAO (Musée des Arts D'Afrique & D'Océanie Paris) - Bettina Allamoda

MAAO (Musée des Arts D'Afrique & D'Océanie Paris), 2002

0.393 x 0.393 x 0.393 inches (1 x 1 x 1 cm)

Fashion Relief I (Chanel/Wendy & Jim), Fashion Relief II (Christian Dior), Fashion Relief III (Yamamoto, Jena-Charles de Castelbajac, Herchcovitch) - Bettina Allamoda

Fashion Relief I (Chanel/Wendy & Jim), Fashion Relief II (Christian Dior), Fashion Relief III (Yamamoto, Jena-Charles de Castelbajac, Herchcovitch), 2002

Alabaster plaster relief on wood

86.614 x 35.433 x 3.149 inches (220 x 90 x 8 cm) 86.614 x 36.22 x 4.724 inches (220 x 92 x 12 cm) 86.614 x 35.433 x 3.149 inches (220 x 90 x 8 cm)

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Past Exhibitions

Jubilee Jubilee: 20 years Laura Mars Gallery - Laura Mars Gallery

Jubilee Jubilee: 20 years Laura Mars Gallery

Laura Mars Gallery

Kreuzberg | Berlin | Germany

Sep 18,2021 - Oct 23,2021

XL/XS - Vincenz Sala, Berlin

XL/XS

Vincenz Sala, Berlin

Berlin | Germany

Dec 12,2020 - Apr 18,2021

ONLINE: Jahresgaben. Editionen 1999–2008 - Kunstraum Munich

ONLINE: Jahresgaben. Editionen 1999–2008

Kunstraum Munich

Munich | Germany

Dec 20,2020 - Jan 12,2021

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Articles

Bettina Allamoda

Bettina Allamoda

Frieze Magazine 01/09/2010

In 2004, while watching William Friedkin’s The Exorcist (1973), a US Army captain realized that the opening sequence – in which a small stone head

Berlin

ARTFORUM 01/12/2007

ACH, BERLIN . . . The past year was punctuated by the kind of melancholic moments for which the city, with its still-visible traces of war and its

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