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THE WHITNEY TO PRESENT DIANNA MOLZAN’S FIRST SOLO<br />

MUSEUM SHOW AND NEW YORK DEBUT<br />

OPENS APRIL 8, 2011<br />

NEW YORK, March 15, 2011 – This spring, <strong>the</strong> Whitney Museum of American Art <strong>present</strong>s<br />

Dianna Molzan: Bologna Meissen, <strong>the</strong> <strong>first</strong> <strong>solo</strong> <strong>museum</strong> exhibition devoted <strong>to</strong> <strong>the</strong> artist’s work.<br />

This lobby gallery <strong>show</strong>, opening April 8, is curated by Whitney cura<strong>to</strong>rial assistant Margot<br />

Nor<strong>to</strong>n.<br />

Dianna Molzan (b. 1972), Untitled, 2009. Oil on linen. 24<br />

x 20 in. (60.96 x 50.8 cm). Courtesy Overduin <strong>and</strong> Kite,<br />

Los Angeles<br />

Dianna Molzan’s works engage in an open <strong>and</strong> unpredictable dialogue with <strong>the</strong> his<strong>to</strong>ry of<br />

abstract painting. Although she works with traditional materials, such as oil on linen, she


Dianna Molzan: Bologna Meissen, 2<br />

approaches her canvases irreverently, invoking elements of fashion, <strong>the</strong> decorative arts,<br />

ceramics, <strong>and</strong> popular design. In this installation <strong>the</strong> artist’s engaging <strong>and</strong> sophisticated<br />

works each reveal a highly distinctive character <strong>and</strong> play off one ano<strong>the</strong>r in lively<br />

counterpoint.<br />

The title Bologna Meissen, juxtaposes <strong>the</strong> names of two culturally distinct European<br />

cities, while also acknowledging two admired influences on <strong>the</strong> artist’s work: <strong>the</strong><br />

twentieth-century Italian painter Giorgio Mor<strong>and</strong>i, who lived <strong>and</strong> worked in Bologna,<br />

rendering still lifes of vessels with poetic simplicity; <strong>and</strong> Meissen, <strong>the</strong> German porcelain<br />

manufacturer renowned for vivid colors, intricately embossed forms, <strong>and</strong> whimsical<br />

details.<br />

With each work Molzan effects a transformation, as she rends, slices, unravels, sculpts,<br />

<strong>and</strong> adorns <strong>the</strong> canvas in a characteristically defining manner. While she uses a variety of<br />

material approaches that differ from one work <strong>to</strong> <strong>the</strong> next, each canvas exhibits a subtle<br />

precision in its intention <strong>and</strong> execution.<br />

About <strong>the</strong> Artist<br />

Dianna Molzan was born in Tacoma, Washing<strong>to</strong>n, in 1972; she currently lives <strong>and</strong> works in Los<br />

Angeles. After attending <strong>the</strong> Universität der Künste Berlin in 2000, she earned her Bachelor of<br />

Fine Arts degree from <strong>the</strong> School of <strong>the</strong> Art Institute of Chicago in 2001 <strong>and</strong> her Master of Fine<br />

Arts degree from <strong>the</strong> University of Sou<strong>the</strong>rn California in 2009. Molzan’s work has been<br />

included in numerous group exhibitions, including All of this <strong>and</strong> nothing at <strong>the</strong> Hammer<br />

Museum, Los Angeles, in 2011 <strong>and</strong> How Soon Now at <strong>the</strong> Rubell Family<br />

Collection/Contemporary Arts Foundation, Miami, in 2010. She had her <strong>first</strong> <strong>solo</strong> exhibition at<br />

Overduin <strong>and</strong> Kite, Los Angeles, in 2009. Bologna Meissen is Molzan’s <strong>first</strong> exhibition in New<br />

York.<br />

About <strong>the</strong> Whitney<br />

The Whitney Museum of American Art is <strong>the</strong> world’s leading <strong>museum</strong> of twentieth-century <strong>and</strong><br />

contemporary art of <strong>the</strong> United States. Focusing particularly on works by living artists, <strong>the</strong> Whitney is<br />

celebrated for <strong>present</strong>ing important exhibitions <strong>and</strong> for its renowned collection, which comprises over<br />

18,000 works by more than 2,800 artists. With a his<strong>to</strong>ry of exhibiting <strong>the</strong> most promising <strong>and</strong> influential<br />

artists <strong>and</strong> provoking intense debate, <strong>the</strong> Whitney Biennial, <strong>the</strong> Museum's signature exhibition, has become<br />

<strong>the</strong> most important survey of <strong>the</strong> state of contemporary art in <strong>the</strong> United States. In addition <strong>to</strong> its l<strong>and</strong>mark<br />

exhibitions, <strong>the</strong> Museum is known internationally for events <strong>and</strong> educational programs of exceptional<br />

significance <strong>and</strong> as a center for research, scholarship, <strong>and</strong> conservation.


Dianna Molzan: Bologna Meissen, 3<br />

Founded by sculp<strong>to</strong>r <strong>and</strong> arts patron Gertrude V<strong>and</strong>erbilt Whitney in 1930, <strong>the</strong> Whitney was <strong>first</strong> housed on<br />

West 8th Street in Greenwich Village. The Museum relocated in 1954 <strong>to</strong> West 54th Street <strong>and</strong>, in 1966,<br />

inaugurated its <strong>present</strong> home, designed by Marcel Breuer, at 945 Madison Avenue on <strong>the</strong> Upper East Side.<br />

While its vibrant program of exhibitions <strong>and</strong> events continues up<strong>to</strong>wn, <strong>the</strong> Whitney is moving forward with<br />

a new building project, designed by Renzo Piano, in down<strong>to</strong>wn Manhattan. Located at <strong>the</strong> corner of<br />

Gansevoort <strong>and</strong> Washing<strong>to</strong>n Streets in <strong>the</strong> Meatpacking District, at <strong>the</strong> sou<strong>the</strong>rn entrance <strong>to</strong> <strong>the</strong> High Line,<br />

<strong>the</strong> new building, which has generated immense momentum <strong>and</strong> support, will enable <strong>the</strong> Whitney <strong>to</strong> vastly<br />

increase <strong>the</strong> size <strong>and</strong> scope of its exhibition <strong>and</strong> programming space. Ground will be broken on <strong>the</strong> new<br />

building in May 2011, <strong>and</strong> it is projected <strong>to</strong> open <strong>to</strong> <strong>the</strong> public in 2015.<br />

Current <strong>and</strong> Upcoming Exhibitions at <strong>the</strong> Whitney Museum of American Art<br />

Singular Visions Through November 2011<br />

Karthik P<strong>and</strong>ian: Unearth Through March 27, 2011<br />

Modern Life: Edward Hopper <strong>and</strong> His Time Through April 10, 2011<br />

Legacy: The Emily Fisher L<strong>and</strong>au Collection Through May 1, 2011<br />

Glenn Ligon: AMERICA Through June 5, 2011<br />

Dianna Molzan: Bologna Meissen Opens April 8, 2011<br />

More Than That: Films by Kevin Jerome Everson April 28–September 18, 2011<br />

Breaking Ground: The Whitney’s Founding Collection April 28–September 18, 2011<br />

Cory Arcangel: Pro Tools May 26–September 11, 2011<br />

Lyonel Feininger: At <strong>the</strong> Edge of <strong>the</strong> World June 30–Oc<strong>to</strong>ber 16, 2011<br />

The Whitney Museum is located at 945 Madison Avenue at 75th Street, New York City. Museum hours are:<br />

Wednesday, Thursday, Saturday, <strong>and</strong> Sunday from 11 a.m. <strong>to</strong> 6 p.m., Friday from 1 p.m. <strong>to</strong> 9 p.m., closed<br />

Monday <strong>and</strong> Tuesday. General admission: $18. Full-time students <strong>and</strong> visi<strong>to</strong>rs ages 19–25 <strong>and</strong> 62 & over:<br />

$12. Visi<strong>to</strong>rs 18 & under <strong>and</strong> Whitney members: FREE. Admission <strong>to</strong> <strong>the</strong> Kaufman As<strong>to</strong>ria Studios Film &<br />

Video Gallery only: $6. Admission is pay-what-you-wish on Fridays, 6–9 p.m. For general information,<br />

please call (212) 570-3600 or visit <strong>whitney</strong>.org.<br />

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